History
Structures of history

Pirie Building

           
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Costado norte
Costado sur
Costado sur
Jardín del costado sur
Pasillo del Museo
Interior del Templo
Altar

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In 1986 the Pirie Building, in Cartago, is declared an antique of historical-cultural interest.

It is the last of the buildings that survived the Cartago earthquakes. It withstood the destructive hand of Man as well, on their careless way through urban development. Over the years it has been an important landmark in Cartago. A few years ago, it was transformed into a cultural center that has shown its potential in an unmistakable way.

It counts with 28 quarters, patios, hallways, a mystery tunnel, and on its façade of French architecture, its balconies stand out.

The story of a few immigrants

In 1894 the Pirie family, of English origin, arrives in Limón Harbor, on their way to Peru. Their ship is damaged and they are forced to stay in Limón. While waiting for the ship to be repaired, Dr. Alexander Pirie visits Cartago and finds himself a very attractive place. He decides to stay and live here. He bought a beautiful house in the city that belonged to a priest named Fulgencio Bonilla. The house had been built around 1882. In that time the house only counted with one story, but in 1900 a second story is finished.

With the pass of the century, the doctor’s house becomes a medical center. Not only Dr. Alexander Pirie, but his brothers and sons also assumed the profession; also the house was occupied by some Canadian doctor’s offices at the end of the 19th and beginning of the 20th century. The role played by this building in the medical area was so important that in the 1950’s, the Sanitary Unit of the Ministry of Health was located here. It’s identification with medicine and health goes even further; on the East corner a pharmacy was built. This pharmacy was the joy of the little ones because it had “magical” mirrors that altered the form of whoever was reflected in them. There, behind the counter, was Dr. Alexander’s son, Willie Pirie, whom studied medicine in England, and became a historical figure in the city of Cartago. He is given credit for bringing soccer into Costa Rica between 1903 and 1906 when he returned to England.

The year 1949 marks a step forward from having an important function in the health department by private initiative, to becoming important from an institutional and public point of view. This first step took place right after the 1948 revolution, when the Government Council gathered in the building. It was then that the government bought the building from the Piries family and made it part of the Cartago Government. Over the years, this building was home to the Municipality of Cartago and the Sanitary Unit of the Ministry of Health, before it became home to the Technological Institute of Costa Rica.

The City House is born

In October of 1987, the Pirie Building begins a new stage, establishing itself as the City House of Cartago. A place that would give advice, support, and contribute to the development of many different kinds of organizations.



Great social-cultural projection


In a short period of time, the Culture House has had a large impact on the social and cultural life of Cartago. Since it opened its doors to the existing organizations, the demands keep multiplying. Thanks to its existence, possibilities for groups and services have extended to the community. The City House has been fundamental for many artistic groups. After many years of no longer having a theatre, Cartago began to dream again with the presence of the companies that come from other countries to present themselves in the Support Theatre, before going to San José. Now, thanks to the availability of space, the possibility of growth of a new generation of authors exists, and grows in the city of Cartago.


Location:
Cartago, 2nd Street, 5th Avenue


Schedule
Monday to saturday, 1:30 p.m. to 7 p.m. Phone: (506) 2550-2340


Information: taken from the book "Atractivos Turísticos - Culturales. Parques y Monumentos del Gran Area Metropolitana" to Flora Matilde Vargas Bogarín.
Fotography:
Neometrópoli
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